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Discussions with faculty, invited guests, agents, opera directors and festival organisers
What are the advantages of European Young Artist Programs and what do they offer? What do European opera houses expect in terms of repertoire? (Tobias Truniger, Bavarian State Opera)
European Manners (Birthe Böckel-Stödter, Germany)
PR and Media (Alexandra Day, New York, Thomas Voigt, Germany, Dr. Wildhagen, Zurich)
Recitals - How to find them, how to program them (Iain Burnside, London)
Tips of the trade - What do the opera houses expect of the singer? How do agents and opera houses work together?
(Bernd Loebe, Intendant Frankfurt Opera)