Discussions with faculty, invited guests, agents, opera directors and festival organisers
The career from the conductor's perspective – what does he expect? with Matthias Foremny
Recitals with Malcolm Martineau
Opera studios in Germany – are they for me? Which audition repertoire is right? with Tobias Truniger
What do agents expect? How do they work with the opera houses and for concerts? What do opera directors expect of the singer? Tips of the trade. Roundtable after Audition 1.
The press and the young singer. Critics from the New York Times, the Frankfurter Allgemeine Zeitung, the Neue Zürcher Zeitung.