Discussions with faculty, invited guests, agents, opera directors and festival organisers
How do American careers differ from European careers?
Career and family – can it be done?
Opera studios in Germany – are they for me? Which audition repertoire is right?
What do agents expect? How do they work with the opera houses and for concerts? What do opera directors expect of the singer? Tips of the trade.
The career from a conductor's perspective - what does he expect?
Recitals from the pianist's viewpoint